Showing posts with label Reading. Show all posts
Showing posts with label Reading. Show all posts

2/27/2014

Book Review for “ECCE HOMO -- Essay on Men”





THERMAE ROMAE “ is a blockbuster Japanese comic series which connects Ancient Rome and contemporary Japan through bathing culture.

Mari Yamazaki, author of the series, talks in depth about cool guys of all ages and cultures and their extraordinary skills and fertile visions, from Hadrian and Raphael to Kobo Abe and Steve Jobs. All of them are cosmopolitan men who defied the established ways of doing things and opened up new dimensions. The lives of these men evoke the image of Yamazaki’s own life in which she went to Italy at the age of 17 and has traveled around the world since.

One of the best things we can learn from this book might be the suggestions of how we ourselves can lay a path to a new age; how every one of us can “sow seeds of renaissance,” as Yamazaki tells us while shaking up Japan’s introverted and passive mentality. 

This is a powerful book, which would give a good kick up the backside to women who want to live a more ambitious life and also to men who want to come out of their shells.

---------------------------------------------------------------------
Original article written by Nanami Torishima, the editor (http://wan.or.jp/book/?p=7595)
Translated by A. Tawara

Book Review of “The 19th Century for Girls – From the Little Mermaid to Alice in Wonderland”


The Little Mermaid Was Dressed in Men’s Clothing!





I was amazed to learn that the Little Mermaid dressed like a man – a fact which Akiko Waki points out in her book “The 19th Century for Girls – From the Little Mermaid to Alice in Wonderland.”

This led me to open “The Andersen’s Fairy Tales” from Iwanami Paperbook Libray (translated Suekichi Ohata). The Little Mermaid fell in love with the Prince and came to the human world, and there it says, “The Prince had them tailor men’s clothes for the Mermaid and had her accompany him when he went for an excursion on a horse. The two of them went through a fragrant forest.”

On the other hand, according to Waki, the same place in The Collected Works of World Literature for Children (translated by Hiroto Hirabayashi) version says, “The Prince made a saddle so that he could ride on a horse with the Mermaid. The two of them went through a fragrant forest.” In the original Danish version, the Mermaid is dressed in men’s clothes.

Waki notes the difference in her book. “The Hirabayashi version means that the Memaid in her feminine clothes is riding double on a horse with the Prince. In contrast, if the Prince ‘had them tailor men’s clothes for her,’ it means she was riding on a different horse and accompanying him like an attendant. This difference cannot be overlooked.”

Once we have learned that the Little Mermaid was dressed like a man, a completely different -- active and hermaphrodite – image of “Mermaid” from the traditional one comes up. When we focus on the “men’s clothes,” the teary ending of the tale could possibly be interpreted in another way.

---------------------------------------------------------------------
Original article written by lita (wan.or.jp/book/?cat=1)
Translated by A. Tawara

1/28/2014

Film Screening and Lecture on DV

“The Second Lecture of Film Screening and Lecture on Domestic Violence Reported by Keiko Kawaguchi

On Tuesday, December 17th, “The Second Lecture of Film Screening and Lecture on Domestic Violence sponsored by Pandora Inc. was held at Shibuya Uplink. First of all, the documentary film based on the testimony of DV victims in the United States titled, Defending Our Lives (1993 production) was shown. It is a rare piece of film depicting the point of view of the victims through their testimony of their terrifying fear of DV. After the screening, Yukiko Tsunoda, a lawyer who had researched the reality of DV for the first time in Japan in 1992, commented on the content of this movie. The first part of my report contains a note on the significance and a rare feature of the movie followed by a summary of the lecture.

Significance of the Movie, Defending Our Lives
The main feature of Defending Our Lives describes the fear and reality of DV told explicitly from the point of view of “the victims.” The main characters are 4 American women in prison on charges of murdering their husband or lover (i). After many years of tolerating unjust violence from their husband or lover, the women resulted to killing the abusers at the price of being accused of murder.

One by one, these women talks quietly about their psychological state of mind caused by cruel mental and physical violence they had continued to bear – an experience that cannot be simply expressed by words like human rights violations against women.”

What choices did they have? Even if the only choice left was to kill, the psychological process that led to their act can only be understood by those that actually experience the situation.

The film contains footages from video recordings taken during police interrogation and beat-up face photo shown as evidence of violence, but the film exclusively is composed of testimonies of four women.

As a connector of these independent testimonies, footage of an ex-DV victim, a district attorney and university professor, is inserted as she talks about punishment and sin of women before the students of the Harvard University School of Law.

According to the movie, the criminal law of the United States (at the time of filming) judged the act of killing by DV victims as a first -degree murder which was a heavier crime than that of the serial killer or serial rapist. Through the voices of these female victims who had to resort to killing to protect their own life, it can be said that the significance of this work is to appeal to the public the lack of awareness of justice system on DV.

I fought. Thus I am alive.” These words of a young black woman spoken at the end of the film hit my heart hard. This is a shocking movie, an eye-opener, based on a rare testimony of survivors.

Lecture by a Lawyer, Yukiko Tsunoda, Following the Screening
Yukiko Tsunoda was one of the members of women’s group that introduced the concept of DV in Japan after conducting a survey on domestic violence for the first time in Japan in 1992. She lived in the United States from1994 to 1996 to observe how DV Prevention Law operated. At that time, she found what was great about the system was that along with the operation of the DV Act was the mechanism of American DV survivors participating in a process to make the law. In Japan DV Prevention Law was enacted for the first time in 2001. Even after 20 years, the point this movie produced in 1993 (ii) tried to reveal to the public has continued to be a “new topic in Japan, is beyond comprehension for Ms. Tsunoda.

She further pointed out the lack of understanding of DV by the Japanese judiciary by bringing up an example of two trials she was involved in. They were both incidents similar to the cases of women who appeared in the film, Defending Our Lives. One is the case in 1991 which took place before Ms. Tsunoda introduced the concept of DV in Japan. The concept of DV at that time was unknown in Japan even to Ms. Tsunoda so that DV and violence which had been in the background of the case was not recognized by the prosecutor nor the judge; and as a result, the defendant, the DV victim, was imposed a severe sentence. The other case was that which occurred right after the DV Act was established and enforced in 2001. In this case, the DV Act worked against the defendant. The judges applied the newly enacted DV Act to question the defendant why she had not consulted with a lawyer to seek resolution through law before taking an action of murdering. Ms. Tsunoda made an important point that, “someone can acquire the profession in law even if that person has absolutely no knowledge or understanding about rape and DV, which is the core problem.”

Structure of submission and domination produced by violence place such a grave psychological and mental impact on women that they are pushed beyond the limit of “No Way Out and left with no other choice but to kill their abusers. This is what Defending Our Lives is all about, depicted through the voices of women.

Immediately after watching the movie, to hear a concrete story from Ms. Tsunoda who dealt with similar trials in Japan, I was able to re-confirm how important it is to understand the issue from the viewpoint of the victims of DV. I think the main point in question is the need for the society, including the police and lawyers, to recognize the problem of DV correctly from the standpoint of the victims. I truly hope from the bottom of my heart that law, reflecting the voices of victims and survivors of DV together with the social structure to support the DV victims will soon function properly and effectively.

The last point made by Ms. Tsunoda was that DV is said to be an emotional abuse against children. It is also the problem reflected in the second film, an animation titled, Dad, don’t Hit Mom. The need for gender education for children has also been proposed in order to break the intergenerational chain of DV. To do so, budget is needed. And to ensure such a budget, we need to enact such a law. The lecture was concluded with Ms. Tsunoda’s strong statement, “The root of the budget is the law!”

Defending Our Lives (1993 production)
Director: Margaret Lazarus
30 min / Japanese dubbed version / incl. study guide
DVD with screening rights ¥ 40,000 (tax not included) (Limited to schools and public use)
Received 66th Academy Short Documentary Film Award in1994

(i) All the women in the movie, including the four who made the testimony are members of the victim support groups in the private sector, BWFB (Battered Women Fighting Back!). The organization was launched in order to help the women in prison for killing their abuser, and it is actively appealing to the public that DV is currently a serious human rights violation threatening women and children.
(ii) The film was produced by Cambridge Documentary Film. It is an NPO that has produced, directed, and distributed documentary films on various social issues such as image of women, DV, trauma, rape, eating disorders, self-awareness, media literacy, homophobia, labor movement, gender roles, career counseling, nuclear war, health crisis related to sex and reproduction, and parenting by gay and lesbians. Films produced have won many awards, including an Academy Award, and it has been screened at the United Nations, the National Assembly, and in the U.S. Senate and House of Representatives.

Translated and adapted by M. Doioka from the following Japanese site: 


11/01/2013

Child Abuse and the Poverty of Women

(From translator) In this article, author Haru Sugiyama explains two of her own books on child abuse. 



Abuse: Two abandoned children in Osaka
Author: Haru Sugiyama
Publisher: Chikuma Shobo (September, 2013)
Hardcover (265pages)

In the summer of 2010, two children, aged three and one, were found lying on top of each other, starved to death in a studio apartment near the Minami downtown district of Osaka. Their mother was a sex worker who worked at a sex-related parlour nearby. For fifty days, she did not return to her children, and was staying with a male acquaintance. On SNS (social networking services), she posted photos of herself on outings with her friends from her hometown of Yokkaichi, and of herself having fun at a club in Osaka.

Six months after the incident came to light, I met with the mother, Ms. Mei (an alias) in the reception room of the headquarters of the Osaka Prefectural Police Department. She thanked me for leaving offerings of sweets at the Buddhist altar for the children’s spirits. She was a calm young mother you would see anywhere. At the time of her marriage, Ms. Mei was a responsible family woman who made appropriate use of public support and was involved in establishing a mother’s club.

Ms. Mei divorced, left the house with the children, and moved several times to within the Mie Prefecture, Nagoya, then to Osaka, until her children died a grisly death. It was a mere year and a number of months. During that time, there was next to no contact from the children’s father, nor did he provide any financial support.

I approached administrative organizations which were involved in this case, and all of them appeared disturbed at Ms. Mei’s actions, stating, “This was something you would never see,” or “This was our first time experiencing something like this.”

Ms. Mei was sentenced to 30 years of imprisonment.



Neglect: Why did Mana die?
Author: Haru Sugiyama
Publisher: Shogakukan (November 2004)
Hardcover (253 pages)

In 2000, a three-year-old girl starved to death in a cardboard box in a company dormitory of a large steel manufacturer in Taketoyo Town, Aichi Prefecture. Based on the research I did for this case, I wrote Neglect: Why did Mana die? (Grand Prize Winner of Shogakukan Bunko Shogakukan Non-fiction Prize).


Mana’s mother was a housewife, and the incident took place in the family home. Ten years later, the mother and child isolated themselves and drifted. Her children eventually died.
The concept of gender for Japanese people has changed greatly in the past 20 years. Single-mother families have exploded in numbers since the mid-1990s. In the workplace, non-permanent employment has become the norm. Under the surface, great changes have been taking place in Japanese society.

Poverty in women is directly related to poverty in children. Ever since the Lehman shock in autumn of 2008, there has been an increase in young mothers with young children. These mothers have nothing to take pride in apart from their status as mothers; once they are cornered into harsh situations, they often turn on their children, whom they tend to mistakenly think of as their property.


When considering what will bring happiness to a child, it is important that mothers are allowed to step back from child-rearing. If it at least becomes commonly accepted that mothers are not the ones solely responsible for child-rearing, this can lead to happiness of many children.
What has become clear to me in writing this book is that abuse is a problem of discrimination. If values dictate that only the worthy will survive, and if these values become rampant, abuse will only become a more severe problem.

Since April, I myself have been involved in supporting children who are growing up in impoverished households. There are little Ms. Meis everywhere. And I am surprised at this reality.

I want the mechanisms of abuse to be known across a wider audience. I want to see growth in the kind of support that is deeply knowledgeable of these mechanisms. That is my wish. (Haru Sugiyama, author of this book)


Original article in Japanese on Wan's website.
Translated and adapted by Shana Rieko Shimizu and Naoko Hirose