3/15/2014

Would the Abe Administration Like to Utilize Women? ---Chizuko’s Blog No. 62

A reporter from the political desk in the Asahi Shinbun interviewed me about “the utilization of women” by the Abe administration. Maybe it was my first interview with a political desk.

 

Most of the comments in the articles on “the utilization of women” are made by female managers or entrepreneurs. This issue influences these women directly.

 

I just wondered why they don’t ask female part-time workers and temporary workers. So I asked the reporter, and he said, “Now that you mention it, it makes me wonder too.”

 

He told me that the business news desk dealt with it because it was a labor issue. The newspaper company seems vertically divided like the administrative functions.

 

But the political desks should also discuss the government’s policies. Their policies include labor and welfare policies. If they don’t examine the issues and just write what politicians say, they should be called “the politicians’ desks” or “the government’s desks.”

I heard that the government is monitoring the mass media, but they didn’t complain about my comment. I guess that’s because the comment reflects nothing but the reality.

 

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Abe Considers Women as the “Convenient Workforce”

 

Prime Minister Abe intends to “utilize women” in the workforce. But he aims to take advantage of them conveniently and actually shows no respect for women’s rights. With the overall workforce running short because of the declining birthrate, women are the last resource the government can use. Abe’s method of “utilizing women” is to force women who are capable of doing so to work as hard as a man, while those who are family-oriented are employed as temporary workers and then thrown away like disposable items.

 

The Committee on the Elimination of Discrimination against Women in the UN has long been recommending the Japanese government to let couples have separate surnames and to eliminate the discrimination against illegitimate children. However, the LDP has neglected this. In particular, the Abe administration is one of the most rightist governments that Japan has ever had. It asserts firmly that “a family is the foundation of the nation.” They railroaded the Act on the Protection of Specially Designated Secrets. This fact seems to show that the LDP is getting even less and less liberal.

 

Abe advocates the amendment of the Public Office Election Act to raise the proportion of female lawmakers in the Diet, but it can only be achieved if more women run  office. Why can he tell companies to name more women to be executives when he is reluctant to make such little effort himself?


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Original Article Written by Chizuko Ueno (http://wan.or.jp/ueno/?p=3734)
Tranlated by N. Tajima

2/27/2014

Book Review for “ECCE HOMO -- Essay on Men”





THERMAE ROMAE “ is a blockbuster Japanese comic series which connects Ancient Rome and contemporary Japan through bathing culture.

Mari Yamazaki, author of the series, talks in depth about cool guys of all ages and cultures and their extraordinary skills and fertile visions, from Hadrian and Raphael to Kobo Abe and Steve Jobs. All of them are cosmopolitan men who defied the established ways of doing things and opened up new dimensions. The lives of these men evoke the image of Yamazaki’s own life in which she went to Italy at the age of 17 and has traveled around the world since.

One of the best things we can learn from this book might be the suggestions of how we ourselves can lay a path to a new age; how every one of us can “sow seeds of renaissance,” as Yamazaki tells us while shaking up Japan’s introverted and passive mentality. 

This is a powerful book, which would give a good kick up the backside to women who want to live a more ambitious life and also to men who want to come out of their shells.

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Original article written by Nanami Torishima, the editor (http://wan.or.jp/book/?p=7595)
Translated by A. Tawara

Book Review of “The 19th Century for Girls – From the Little Mermaid to Alice in Wonderland”


The Little Mermaid Was Dressed in Men’s Clothing!





I was amazed to learn that the Little Mermaid dressed like a man – a fact which Akiko Waki points out in her book “The 19th Century for Girls – From the Little Mermaid to Alice in Wonderland.”

This led me to open “The Andersen’s Fairy Tales” from Iwanami Paperbook Libray (translated Suekichi Ohata). The Little Mermaid fell in love with the Prince and came to the human world, and there it says, “The Prince had them tailor men’s clothes for the Mermaid and had her accompany him when he went for an excursion on a horse. The two of them went through a fragrant forest.”

On the other hand, according to Waki, the same place in The Collected Works of World Literature for Children (translated by Hiroto Hirabayashi) version says, “The Prince made a saddle so that he could ride on a horse with the Mermaid. The two of them went through a fragrant forest.” In the original Danish version, the Mermaid is dressed in men’s clothes.

Waki notes the difference in her book. “The Hirabayashi version means that the Memaid in her feminine clothes is riding double on a horse with the Prince. In contrast, if the Prince ‘had them tailor men’s clothes for her,’ it means she was riding on a different horse and accompanying him like an attendant. This difference cannot be overlooked.”

Once we have learned that the Little Mermaid was dressed like a man, a completely different -- active and hermaphrodite – image of “Mermaid” from the traditional one comes up. When we focus on the “men’s clothes,” the teary ending of the tale could possibly be interpreted in another way.

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Original article written by lita (wan.or.jp/book/?cat=1)
Translated by A. Tawara

2/02/2014

“A Girl’s Life of One Hundred Years” by Mine Yagi

A person’s life has a distinct story. As the personal life belongs only to that person, at the same time, we can see the deep in-rooted history and the broad world.

Listening to a radio program Rajio Shinyabin (Midnight Radio Letter) which introduced the topic of “Story about Moms”, I was driven by desire to read the book “Hyakunen Mae no Shoujo (A Girl’s Life of One Hundred Years)” (Kodansha) written by Yumi Funabiki,

The book is a story about a girl named Tei Terasaki. The author is a freelance editor who used to serve as an editor for “Taiyo” magazine since its first edition. When she published the book, her mother Tei had just turned 100 years old. Although her mother had never talked about her personal history to her daughter before, she had burst out talking about her personal story after reaching the age of 88. The author’s lively description of her mother’s childhood life style in a village is a superb ethnological record of a Japanese village of the time that was so common everywhere in Japan.

Tei was a baby “born on a day when lightening had struck” in a village of Joshu, now Gunma prefecture, mother’s hometown where Tei was delivered. After merely a month, Tei was sent back home from her mother’s parents’ house alone with a small package of baby clothes and diapers, Tei’s grandmother on her father’s side was an extraordinarily competent woman who was able to do all the household work perfectly as well as farming and weaving. Being overwhelmed by her competence, Tei’s mother refused to return to the in-law’s house, saying “I can’t possibly do anything like her, however hard I may try.” Tei had never seen her mom ever since. Her mother’s name was never mentioned in this book. Tei’s grandmother, Yasu, ran around the village asking for breast milk to feed her granddaughter.

Several years later, her father got remarried to a women who accepted his proposal under the condition that Tei be sent out for adoption. Tei, at the age of five, was ordered around to do things such as water drawing and kitchen work by her foster parents who told her, “You are big enough to do these chores.” When her father could no longer put up seeing her in such a situation, he brought her home on the condition that she would leave home when she finished school. Tei had returned at last to the care of her loving grandma she had missed so much.

After graduating from Ashikaga Girls’ School, she left home for Tokyo alone at the age of 16. She continued to study at night school while working and eventually graduated from school, now called Shin Watado Bunka Gakuen. She started working at the YWCA and got deeply involved in Social Christian Movement, where she met a guy who would be her husband.

While she raised five children, the period of 100 years, marked by Meiji, Taisho, and Showa eras, have passed. It is also quite intriguing to read the Terasaki Family’s sequel episodes.

Suddenly Tei’s story rang a bell. Oh, I know someone like her! It’s a story of a girl’s life of 60 years. The girl’s name, this time, is Midori, a cousin of mine on my father’s side. Her personal life story is exactly the same as Tei’s, which struck me.

Midori’s mother also did not return to her in-laws’ house after spending fifty days with her baby after giving birth at her hometown. Just like Yasu, Midori’s grandmother was a very capable, strong woman, who could handle any type of work. Being unable to get along with her mother-in-law, Midori’s mother left her behind and chose the life of her own.

After graduating from high school, Midori left her homeland, Kumamoto and got a job in Osaka. Although she got married, she had tolerated with her husband’s domestic violence for years until she was able to leave him and afterwards, her husband passed away. As a single mother, she worked in Kumamoto to raise two boys doing various jobs.

One day, out of the blue, one of her sons engaged in ODA’s public construction project in Algeria called her, saying, “Mom, I found a nice house on the Internet for you. What do you think?”

While I was visiting my hometown in Kumamoto, I was asked by her to help out on this matter. She said, “I just don’t know how to handle it. Help me, please!”

Then I got involved in the negotiations about the house on behalf of her. E-mails flew back and forth among the real estate agent in Kumamoto, her son in Algeria, and myself in Kyoto. And finally, as she wished, a deal of the old small house had been done and I stood beside her while the contract was being signed.

After all those days and years, she is now living a very peaceful life, watching over her garden that is full of sunshine and currently filled with scent emitting from the pink plum blossoms. I am quite thankful to her for paying occasional visits to my mother who also lives alone in Kumamoto whenever she has time from work.

People’s lives, women’s lives, they are so diverse, But when they die, everyone is equal. It all balances out in the end.

Seeing a sign of ominous change in Japanese society nowadays, I feel I have to be ready for the coming era. How many years are left until I become 100 years old?  I do wish I would be able to weave “y own original story” without taking my eyes off this transition of the time.


Original Article on the WAN Website: http://wan.or.jp/reading/?p=13014
Translated and Adapted by Yoko Hayami



1/31/2014

What’s New on WAN’s Website as of January 31, 2014


Book Review
Work Life Balance in France: Introduction to Policies for Gender Equality
Written and translated by Ishida Kuniko, Inoue Takako, Kamio Machiko, and Nakajima Kimiko
Published in December 2013 from Pad Women's Office
http://wan.or.jp/book/?p=7517

How Women Make Work #5
How Ise Akane started an Ayurveda salon, Salon de Milana in Kyoto (http://www.milana.jp)
http://wan.or.jp/market/?p=2061

Video
Book Talk "Dr. Ogasawara, Can you die alone in your house?" by Ueno Chizuko
Recorded on November 17, 2013
http://wan.or.jp/booktalk/?p=1178

Video
Book Talk "Feminist Literature Critique" by Ueno Chizuko
Recorded on October 8, 2011
http://wan.or.jp/booktalk/?p=1047

Essay
Working Women Depicted in TV drama #5
The Dignity of Temp Workers (Haken no Hinkaku) (http://www.ntv.co.jp/haken/)
Written by Nakatani Ayami

Blog Entry by Ueno Chizuko
The Tokyo gubernatorial election is a referendum on breaking with nuclear power generation

Essay
What It means to grow up with a child who might have developmental disability 15
Refusing to victimize developmentally disable children 
Written by Akizuki Nanami
http://wan.or.jp/reading/?p=13029


Posted by Eiko Saeki

1/28/2014

Film Screening and Lecture on DV

“The Second Lecture of Film Screening and Lecture on Domestic Violence Reported by Keiko Kawaguchi

On Tuesday, December 17th, “The Second Lecture of Film Screening and Lecture on Domestic Violence sponsored by Pandora Inc. was held at Shibuya Uplink. First of all, the documentary film based on the testimony of DV victims in the United States titled, Defending Our Lives (1993 production) was shown. It is a rare piece of film depicting the point of view of the victims through their testimony of their terrifying fear of DV. After the screening, Yukiko Tsunoda, a lawyer who had researched the reality of DV for the first time in Japan in 1992, commented on the content of this movie. The first part of my report contains a note on the significance and a rare feature of the movie followed by a summary of the lecture.

Significance of the Movie, Defending Our Lives
The main feature of Defending Our Lives describes the fear and reality of DV told explicitly from the point of view of “the victims.” The main characters are 4 American women in prison on charges of murdering their husband or lover (i). After many years of tolerating unjust violence from their husband or lover, the women resulted to killing the abusers at the price of being accused of murder.

One by one, these women talks quietly about their psychological state of mind caused by cruel mental and physical violence they had continued to bear – an experience that cannot be simply expressed by words like human rights violations against women.”

What choices did they have? Even if the only choice left was to kill, the psychological process that led to their act can only be understood by those that actually experience the situation.

The film contains footages from video recordings taken during police interrogation and beat-up face photo shown as evidence of violence, but the film exclusively is composed of testimonies of four women.

As a connector of these independent testimonies, footage of an ex-DV victim, a district attorney and university professor, is inserted as she talks about punishment and sin of women before the students of the Harvard University School of Law.

According to the movie, the criminal law of the United States (at the time of filming) judged the act of killing by DV victims as a first -degree murder which was a heavier crime than that of the serial killer or serial rapist. Through the voices of these female victims who had to resort to killing to protect their own life, it can be said that the significance of this work is to appeal to the public the lack of awareness of justice system on DV.

I fought. Thus I am alive.” These words of a young black woman spoken at the end of the film hit my heart hard. This is a shocking movie, an eye-opener, based on a rare testimony of survivors.

Lecture by a Lawyer, Yukiko Tsunoda, Following the Screening
Yukiko Tsunoda was one of the members of women’s group that introduced the concept of DV in Japan after conducting a survey on domestic violence for the first time in Japan in 1992. She lived in the United States from1994 to 1996 to observe how DV Prevention Law operated. At that time, she found what was great about the system was that along with the operation of the DV Act was the mechanism of American DV survivors participating in a process to make the law. In Japan DV Prevention Law was enacted for the first time in 2001. Even after 20 years, the point this movie produced in 1993 (ii) tried to reveal to the public has continued to be a “new topic in Japan, is beyond comprehension for Ms. Tsunoda.

She further pointed out the lack of understanding of DV by the Japanese judiciary by bringing up an example of two trials she was involved in. They were both incidents similar to the cases of women who appeared in the film, Defending Our Lives. One is the case in 1991 which took place before Ms. Tsunoda introduced the concept of DV in Japan. The concept of DV at that time was unknown in Japan even to Ms. Tsunoda so that DV and violence which had been in the background of the case was not recognized by the prosecutor nor the judge; and as a result, the defendant, the DV victim, was imposed a severe sentence. The other case was that which occurred right after the DV Act was established and enforced in 2001. In this case, the DV Act worked against the defendant. The judges applied the newly enacted DV Act to question the defendant why she had not consulted with a lawyer to seek resolution through law before taking an action of murdering. Ms. Tsunoda made an important point that, “someone can acquire the profession in law even if that person has absolutely no knowledge or understanding about rape and DV, which is the core problem.”

Structure of submission and domination produced by violence place such a grave psychological and mental impact on women that they are pushed beyond the limit of “No Way Out and left with no other choice but to kill their abusers. This is what Defending Our Lives is all about, depicted through the voices of women.

Immediately after watching the movie, to hear a concrete story from Ms. Tsunoda who dealt with similar trials in Japan, I was able to re-confirm how important it is to understand the issue from the viewpoint of the victims of DV. I think the main point in question is the need for the society, including the police and lawyers, to recognize the problem of DV correctly from the standpoint of the victims. I truly hope from the bottom of my heart that law, reflecting the voices of victims and survivors of DV together with the social structure to support the DV victims will soon function properly and effectively.

The last point made by Ms. Tsunoda was that DV is said to be an emotional abuse against children. It is also the problem reflected in the second film, an animation titled, Dad, don’t Hit Mom. The need for gender education for children has also been proposed in order to break the intergenerational chain of DV. To do so, budget is needed. And to ensure such a budget, we need to enact such a law. The lecture was concluded with Ms. Tsunoda’s strong statement, “The root of the budget is the law!”

Defending Our Lives (1993 production)
Director: Margaret Lazarus
30 min / Japanese dubbed version / incl. study guide
DVD with screening rights ¥ 40,000 (tax not included) (Limited to schools and public use)
Received 66th Academy Short Documentary Film Award in1994

(i) All the women in the movie, including the four who made the testimony are members of the victim support groups in the private sector, BWFB (Battered Women Fighting Back!). The organization was launched in order to help the women in prison for killing their abuser, and it is actively appealing to the public that DV is currently a serious human rights violation threatening women and children.
(ii) The film was produced by Cambridge Documentary Film. It is an NPO that has produced, directed, and distributed documentary films on various social issues such as image of women, DV, trauma, rape, eating disorders, self-awareness, media literacy, homophobia, labor movement, gender roles, career counseling, nuclear war, health crisis related to sex and reproduction, and parenting by gay and lesbians. Films produced have won many awards, including an Academy Award, and it has been screened at the United Nations, the National Assembly, and in the U.S. Senate and House of Representatives.

Translated and adapted by M. Doioka from the following Japanese site: